Studia Informatica Pomerania

Previously: Zeszyty Naukowe Uniwersytetu Szczecińskiego. Studia Informatica


ISSN: 2451-0424     eISSN: 2300-410X    OAI    DOI: 10.18276/si.2016.40-02
CC BY-SA   Open Access 

Issue archive / nr 40
Formy dystrybucji cyfrowych dóbr informacyjnych w społeczeństwie online
(Informal distribution channels of cultural goods in the internet)

Authors: Sławomir Czetwertyński
Uniwersytet Ekonomiczny we Wrocławiu
Keywords: Internet cloud Internet digital information goods
Data publikacji całości:2016
Page range:11 (15-25)
Cited-by (Crossref) ?:

Abstract

The main subject of this article is the evolution of forms of access to the digital information goods in a society that has entered a phase of online, which means relatively constant access to the Internet. The goal of the article is to determine what changes brings increased popularity of the use of solutions such as streaming and Internet’s cloud. The research area of the considerations are such information goods as movies, music and e-books. The article also addresses the issues of sales strategy of digital information goods via the Internet, which are generally divided into one-time sale and subscription. In the article were use the case study method and secondary data on changes in the forms of distribution in the United States, which excels in innovation in the field of distribution of digital information goods.
Download file

Article file

Bibliography

1.Anderson, C. (2008). Długi ogon. Ekonomia przyszłości – każdy konsument ma głos. Poznań: Media Rodzina.
2.Anderson, C. (2011). Za darmo. Przyszłość najbardziej radykalnej z cen. Kraków: Znak Literanova.
3.Bakos, Y., Brynjolfsson, E. (1999). Bundling Information Goods: Pricing, Profits, and Efficiency, Management Science, 45(12), 1613–1630. dx.doi.org/10.2139/ssrn.11488.
4.Bakos, Y., Brynjolfsson, E. (2000). Bundling and Competition on the Internet. Marketing Science, 19(1), 63–82. doi:10.2139/ssrn.231598.
5.Castells, M. (2003). Galaktyka Internetu: Refleksje nad Internetem, biznesem i społeczeństwem. Poznań: Dom Wydawniczy Rebis.
6.Castells, M. (2007). Wiek informacji: ekonomia, społeczeństwo i kultura. Tom I: Społeczeństwo sieci. Warszawa: Wydawnictwo Naukowe PWN.
7.Castells, M. (2013b). Władza komunikacji. Warszawa: Wydawnictwo Naukowe PWN.
8.Castells, M. (2013a). Sieci oburzenia i nadziei. Ruchy społeczne w erze internetu. Warszawa: Wydawnictwo Naukowe PWN.
9.Costello, S. (2015). This is the Number of iPods Sold All-Time. About.com, Oct. 13, 2015. Pobrane z: http://ipod.about. com/od/glossary/qt/number-of-ipods-sold.htm (21.03.2015).
10.Daily chart. (2014). Turning the pixelated page. The Economist, Oct 9th 2014. Pobrane z: http://www.economist.com/ blogs/graphicdetail/2014/10/daily-chart-4?fsrc=scn/fb/wl/dc/turningpixelated (23.03.2016).
11.Evangelista, B. (2002). Industry starting to endorse Net music / Listen.com to offer songs from all five major labels. SFGate, July 1, 2002. Pobrane z: http://www.sfgate.com/business/article/Industry-starting-to-endorse-Net-music-2801248.php (21.03.2016).
12.Finder.com. (2016). Netflix International: How many movies and TV shows does Netflix offer in different countries around the world? Finder.com, January 8th, 2016. Pobrane z: http://www.finder.com/global-netflix-library-totals (22.03.2016).
13.iTunes. (2016). iTunes. Pobrane z: http://www.apple.com/pl/itunes/video/ (22.03.2016).
14.Kozłowski, K. (2016). Netflix w Polsce – czy warto, jak zacząć, co obejrzeć. AntyWeb, 2016-01-06. Pobrane z: http:// antyweb.pl/netflix-w-polsce-czy-warto-jak-zaczac-co-obejrzec/ (22.03.2016).
15.MacDailyNews. (2014). Apple’s iTunes Store passes 35 billion songs sold milestone, iTunes Radio now has 40 million listeners. MacDailyNews, May 29, 2014. Pobrane z: http://macdailynews.com/2014/05/29/apples-itunes-storepasses-35-billion-songs-sold-milestone-itunes-radio-now-has-40-million-listeners/ (21.03.2016).
16.McDuling J. (2015). The music industry has hit its rock bottom, Quartz qz.com, April 14, 2015, http://qz.com/383109/ the-music-industry-has-hit-its-rock-bottom/ (01.11.2015).
17.Nakashima, R. (2011). Rhapsody passes million US subscriber milestone. The Seattle Times, December 22, 2011. Pobrane z: http://www.seattletimes.com/business/rhapsody-passes-million-us-subscriber-milestone/ (21.03.2016).
18.Pisarski, M. (2013). Koniec wypożyczalni filmów. Newsweek, 12.11.2013. Pobrane z: http://biznes.newsweek.pl/koniec-wypozyczalni-filmow-newsweek-pl,artykuly,274456,1.html (23.03.2016).
19.Recording Industry Association of America. (2014). 2014 RIAA Year-End Industry Shipment and Revenue Statistics. Pobrane z: http://riaa.com/media/A29170F2-267C-0581-EDDF-83EF7FE691AF.pdf (23.03.2016).
20.Saba, J., Lauria, P. (2012). After 79 years in print, Newsweek goes digital only. Reuters, Oct 18, 2012. Pobrane z: http:// www.reuters.com/article/us-newsweek-digital-idUSBRE89H0L020121018 (23.03.2016).
21.Sandvine Inc. (2014). Global Internet Phenomena Report 2H 2014. Ontario: Sandvine Incorporated ULC.
22.Sandvine Inc. (2015). Global Internet Phenomena. Africa, Middle East & North America. Ontario: Sandvine Incorporated ULC.
23.Shapiro, C., Varian, H.R. (2007). Potęga informacji. Strategiczny przewodnik po gospodarce sieciowej. Gliwice: Wydawnictwo Helion.
24.Shy, O. (2001). The Economics of Network Industries. Cambridge: Cambridge University Press.
25.Smith, A. (2013). Blockbuster to close stores and cut jobs. CNN Money, January 22, 2013. Pobrane z: http://money.cnn. com/2013/01/22/news/companies/blockbuster-job-cuts/index.html (23.03.2016).
26.Statista (2015). Statistics and facts about Netflix, Statista. Pobrane z: http://www.statista.com/topics/842/netflix/ (21.11.2016).
27.van Dijk, J. (2010). Społeczne aspekty nowych mediów. Analiza społeczeństwa sieci. Warszawa: Wydawnictwo Naukowe PWN.
28.von Mathias, B. (2015). Phone top, iPad flop. Statista. Pobrane z: http://de.statista.com/infografik/84/absatz-appleiphone/ (21.12.2015).