1. | Allen, S., Deragon, J.T., Orem, M.G. Smith, C.F. (2008). The Emergence of The Relationship Economy. The New Order o/Things to Come. Silicon Valley: LLC. |
2. | Anderson, C. (2006). The Long Tail. Why the future of Business is Selling Less of More. New York: Hyperion. |
3. | Ang I. (1996). Living Room Wars: Rethinking Media Audiences. Oxon: Routledge. |
4. | Benkler Y. (2006). The Wealth of Networks. How Social Production Transforms Markets and Freedom. New Haven-London: Yale University Press. |
5. | Boyle J. (2008). The Public Domain. Enclosing the Commons of the Mind. New Haven-London: |
6. | Yale University Press. |
7. | Botsman, R., Rogers, R. (2011). WhatfJMine Is Yours. The Rise of Collaborative Consumption. |
8. | London: Harper Collins Publishers. |
9. | Botsman, R. (1988). Welcome to the new reputation economy. Wired Magazine, September. Cheal D. (1988). The Gift Economy. London: Routledge. |
10. | Csikszentmihalyi, M. (2008). Flow: The Psychology of Optimal Experience. New York: Harper Perennial Modem Classics. |
11. | Davenport, T., Beck, J. (2011). The Attention Economy: Understanding the New Currency of Business. Harvard University Press, Accenture. |
12. | Florida, R. (2005). The Flight of the Creative Class. The New Global Competition for Talent. |
13. | New York: Harper Business/Harper-Collins Publishers. |
14. | Grzelońska, U. (2016). Ekonomiczna Strona Kultury. Warszawa: Instytut Nauk Ekonomicznych PAN. |
15. | Howkins, J. (2002). The Creative Economy. How People Make Money from Ideas. London: Pen¬guin Books. |
16. | Independent Work: Choice, Necessity, And The Gig Economy (2016). Mc Kinsey Global Institute. |
17. | Pobrano z: http://www.mckinsey.com/global-themes/employment-and-growth/indepen dent-work-choice-necessity-and-the-gig-economy. |
18. | Jung, B. (2016)._Pełna cyfryzacja sektora gospodarki i jej możliwe konsekwencje - przykład mediów. Zeszyty Naukowe Uniwersytetu Szczecińskiego. Ekonomiczne Problemy Usług, !22, 43-58. |
19. | Keen, A. (2007). Cult of the Amateur: How Today's Internet is Killing Our Culture. New York: |
20. | Doubleday. |
21. | Lanham, R. (2007). The Economics of Attention: Style and Substance in the Age of Information. |
22. | Chicago: The University of Chicago Press. |
23. | Lessig, L. (2004). Free Culture. How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. The Penguin Press. |
24. | Mauss, M. (2001). Socjologia i antropologia: Szkic o darze. Forma i podstawa wymiany w społeczeństwach archaicznych. Warszawa: Wydawnictwo KR. |
25. | Pine, J., Gillmore, J. (1999). The Experience Economy. Work Is Theatre & Every Business a Stage. Boston: Harvard University Press. |
26. | Rifkin, J. (2014). The Zero Marginal Cost Society. The Internet Of Things, The Collaborative Commons, And The Eclipse O/Capitalism. New York: Palgrave Macmillan. |
27. | Rifkin, J. (2001). The Age of Access: The New Culture of Hypercapitalism, Where all of Life is a Paid-For Experience. New York: Penguin Putnam. |
28. | Scholz, T. (red.) (2013). Digital Labor. The Internet as Playground and Factory. New York: |
29. | Routledge. |
30. | Shy, O. (2001). The Economics o/Network Industries. Cambridge: Cambridge University Press. Stebbins, R. (2014). Careers In Serious Leisure. From Dabbler to Devotee in Search of Fuljill¬ment. Basingstoke: Palgrave Macmillan. |
31. | Tapscott, D., Williams, A. (2006). Wikinomics. How Mass Collaboration Changes Everything. |
32. | New York: Portfolio, Penguin Group. |
33. | The New Digital Economy. How it will transform business, research paper produced in collabora¬tion with AT&T, Cisco, Citi, PwC & SAP, June 2011, document elektroniczny Oxford Economics. |
34. | Throsby, D. (2001). Economics and Culture. Cambridge: Cambridge University Press. Toffler, A. (1980). The Third Wave. New York: Bantam Books. |
35. | Webster, J.G. (2014). The Marketplace of Attention. How Audiences take shape una digital Age. |
36. | London: MIT Press Cambridge. |
37. | Zorska, A., Molęda-Zdziech, M., Jung, B. (2014). Kreatywność i innowacyjność w erze cyfrowej. |
38. | Twórcza destrukcja 2. Warszawa: Oficyna Wydawnicza SGH. |